Home

Home is a stainless steel frame sculpture commemorating sister city relationship between Kobe and Incheon.
Home is a minimalist steel frame structure signifying a blurring boundary between private and public domain and natural environment surrounding them.
Home is a spatial installation blurring the boundary between two cultures of Japan and Korea by suggesting similarities through their domestic landscape.
Home steel frame infuses two houses together differing in size, shape and frame constructions symbolizing relationship between Kobe and Incheon.
Home monument reflective stainless steel frame disappears into natural surroundings
Home monument front view
Home sculptural monument started from a simple 3d line drawing of a typical pitched roof house archetype
Home steel monument is installed in the sculpture garden of Incheon Grand Park
Perspective view of Home Monument and other sculptures in the background a Incheon Grand Park.
Home sculptural monument Interior space
Home stainless steel frame sculpture blurs with natural surroundings
  • Title: Home
  • Type: Architecture, Installation
  • Dimension: 7m x 2.5m x 3m
  • Location: Incheon, South Korea
  • Date: 2013
  • Client: City of Kobe
  • Fabricator: Ryonan Machines
  • Installer: Yewon Arts Studio
  • Consultant: Jennifer Shively
  • Status: Completed

Home

Home is a monument for Incheon and Kobe, commemorating the sister city relationship situated in the Sculpture Garden at Incheon Grand Park.

In both cities the collective formation of house-scape blends with the natural elements of the mountains and ocean. Houses mend the surrounding environment and harmonize the context with nature.

The concept for the sculptural monument started by looking at the meaning of ‘home’ and its significance in private and public domains. Home represents a family; family at home seeks peace, harmony and support for each other.

Home is a social ground for family, relatives and friends to engage and a place where common grounds meet. Social engagement in public ground is the concept for “Home” sculpture. While it lacks many of the typical elements of a house such as roof and wall surfaces, public spaces are open for all people to enjoy the environment without a physical barrier present.

The sculpture suggests that activities at the house do not necessarily have to be always contained and segregated, instead be open and engaged.

The figurative transformation that infuses two houses together differing in size, shape and frame constructions represents the differences, yet establishes a symbiotic relationship allowing two frames to support each other.

The wall-less framing structure suggests that the programmatic activities are not to be bound by the frame boundary of the house. Rather, it allows the incorporation of surrounding environment that can be seen through and reflected on the surfaces; the structure blends in and the frame disappears

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